DESCRIPTION: Skip to main content. Mouse over to zoom - Click to enlarge.Monirelinie: I'd love love lvoe to see what is it like when you're dating a german guy or Hong Kong guy hahahahaha #fyi hello from Hong Kong :D
Bebe Silva: That blonde girl is so cute !
John Wick: Keep it simple and have fun olha realmente kkkkkkkk
Alok Yadav: The Trinidadian guy is the only one who has any taste in this bunch.
Fried Noodles: Unfortunately there are people with this macho and sexist thinking about women. If you are direct in the relationship, you are a whore. How ignorant, change your concepts about women, especially Brazilian women who are the target of sexist criticism
Laura Morgan: I'm French of Russian ancestry. And i don't understand what does it mean to date. In France if you both have romantic feelings for each other and you have sex, that makes her/him your petit ami/e which can be translated as gf/bf. If you see each other and you still haven't kissed romantically in the lips, than you are friends.
Lisa Brinkman: Portugal esta mal escrito
Brenda Anaya: You know you're dating an English/British person when they have horrible teeth.
Thepotato: AQUI E BRASIL POUHAN
Ambxr Kj: Russian girls looked so shy !
Ama 123: Loved the Korean, sounded amazing! :)
Londonesque01: Well to be perfectly honest the UK one seemed the most beautiful among the models shown here.
MrWalker1000: WHY do every greek stereotype has to have us like savages that only consider meat as good food? thefuq people! and yes arguments can become very heated and then forgoted but no not everything is solved with food
Dennis Noah: Dem balkan feels
Shottskies: I personally don't like texting and prefer a phone conversation or talking in person. The only social media that I own is YouTube also.
Antonio Sousa: Polish women next !
Ben Cropp Wild Australia Exotica and Erotica of The Deep DVD (new)
Exotica & erotica of the deep / directed and photographed by Ben Cropp ; writer, Ben Cropp ; produced by Ben Cropp for Seven Network Australia. Other Creators. Cropp, Ben, ; Ben Cropp Productions; Seven Network (Australia). Published. [Australia: Ben Cropp Productions, c]. Medium. [videorecording]. Cast & Credits. Cast. presenter. Reg Lipson. Credits. Direction: Director. Ben Cropp. Production: Production Company. Colstar. Latest from the BFI. Latest from the BFI. Latest news, features and opinion. More information. Films, TV and people. Films, TV and people. Film lists and highlights from BFI Player. More information. 24 Oct In the underwater world, Ben Cropp films amazing creatures with weird and wonderful sexual behavior. An exotic dancing worm that has it's penis inside it's m.
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The heart-stopping seascapes and mesmeric machinery of ocean-going cargo ships transfix, even during narrative lulls. A prosperous circumnavigation of the global festival circuit seems assured, though a prominent theatrical berth will prove an overly daunting prospect for distribs focused primarily on landing risk-free bounty.
The relationship between the two works reps the very lightest Exotica erotica of the deep allegories. Auds who hold a conventional view of female sexuality will find their preconceptions challenged by her simultaneously romantic and highly sexual perspective on her many lovers, whom we gather were a mixture of paid clients and transaction-free flings.
The less spiritual qualities of these ghostly memories are praised: The sailors also exhibit an ambiguous mixture of hardiness — to be expected from men working miles from land on rusty international transport tankers — and curiously tender camaraderie, the latter captured by Kranioti with an acute sense of intimacy.
A particular highlight is an extended sequence that captures a crew of burly seamen shaking it as lasciviously as any music-video background dance troupe to the hits of ABBA. The other binary Kranioti seeks to break down is that of past vs.
We see a topless Sandy exposing a veritable landslide of senior bosom, but her words conjure a younger woman sailors flocked to admire. Structure is perhaps less of a strength: The film feels relatively formless, a psychological wandering arranged as it occurs, following the meandering patterns of human recollection. At other moments, she captures the spare poetry of industrial labor, flooding the screen with red or gold, deliberately befuddling our sense of scale and leaving auds to pick out the lone figure working away against the backdrop of a vast mountain of Exotica erotica of the deep or grain, deep in the belly of a tanker.
Paring down a reported hours of raw footage to the elemental minute impression that remains must be considered a feat of Odyssean proportions in its own right: Reviewed online, London, Nov. Documentary Film Festival Amsterdam. Kostopoulos Foundation, Fonds de Dotation Agnes b. Produced by Charlotte Vincent. Directed, written by Evangelia Kranioti. Camera colorKranioti; editor, Yorgos Lamprinos; music, Eric Neveux; sound, Kranioti; supervising sound editor, Jerome Gonthier; re-recording mixer, Gonthier; visual effects supervisor, Arnaud Chelet.
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The backdrop is an gigantic cargo remit journeying en route for 20 countries over the course of several seasons. From the opening classification, the big cheese establishes a cinematic tone where the imagery container breathe, tempting the spectator to gulp deeply the super-oxygenated briny air in addition to relax addicted to the far-away lull of memory.
Gigantic expanse furthermore existential musings define that doc. Disposed the overlapping themes, reference and comparison are a-plenty: The one character we get on the way to know is Sandy, a former courtezan who anchors the storyline. She embodies the Portuguese and Brazilian concept of saudade: Dirty is a voluptuous, minor extent faded floweret alternately gazing out en route for sea otherwise clutching her pink satin pillows such as if her bygone lovers were calm in patch with her now.
A scene wearing a squalid strip obstacle with the men on-leave reads familiar: They be deliver in ports with a bomb hollered love. They attack, reject and bomb…destroying hearts. The most visually arresting shots are devoid of whichever erotic before exotic tendencies: