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12 Jun Family Life-Women and Children Also known as the "golden age" A time in history during Queen Elizabeth I's reign () Seen as England's renaissance. Blossoming of poetry, literature, and music. This era is most famous for theatre, also the time of the famous playwright William Shakespeare. Dorey 1 William Dorey English 3K Shakespeare Dr. Grisé 1 April Misogyny, Thy Name is Hamlet!: Politics of Misogyny, Male Domination, and Female Resistance in William Shakespeare‟s Hamlet William Shakespeare‟s play Hamlet is a complex tale of murder, revenge, and madness that uses multiple motifs to. 13 Dec Male domination in society has been apparent throughout history, and has always caused issues in a woman's life. This argument is especially evident in Shakespeare's play Othello. The characters of Bianca, Emilia, and Desdemona are all victimized of this male dominance because of the vindictive way in.
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Depending on the genre of the Male domination in shakespeare, sexuality and gender are used as either a tool of manipulation, a form of propaganda or sometimes both. During the time of Shakespeare, there was a construct of gender and sexuality norms just as there are today. There was a
Male domination in shakespeare of sexes and each had their own role in society. Men were masculine, they were not ruled by emotion, they were strong and hard working.
Women belonged in the home, they were ruled by men and by their emotions and therefore were thought to often make bad decisions. By blurring the lines between sexuality and gender in his plays, Shakespeare deconstructs these norms to display their ambiguity.
Masculine men can play effeminate women roles which they did on stage and effeminate women can play masculine men roles. Looking at both Richard III and As You Like It as Male domination in shakespeare examples, I will show the different ways sexuality and gender are used to manipulate characters, alter the action of the play and deconstruct the social norm of gender and sexuality and how they vary depending on the genre of the play.
During the time when William Shakespeare was alive and writing, there were social norms about gender and sexuality that existed similarly as they do today. Gajowski 53, [Keeble] Shakespeare sought to defeat these norms, he sought to show that sexuality and gender are ambiguous and mutable. Regardless, whether this is true or not we shall
Male domination in shakespeare know, however, we Male domination in shakespeare know that he deconstructed the norm of gender and sexuality within his plays.
The method he used Male domination in shakespeare deconstruct sexuality and gender
Male domination in shakespeare on the genre of the specific play.
Shakespeare wrote a variety of genres from romance to tragedy to history to comedy. It seemed each genre had its own set of rules and methods for how sexuality and gender were displayed and the limitations they possessed. In Othello for example, when he murders Desdemona, Gajowski explains that the violence is uncontrollable.
Although Oberon is King of the faeries he can be read as being weaker than his wife. He bends Male domination in shakespeare her will
Male domination in shakespeare although he argues with her and makes demands he never truly gets what he wants. Why should the women leap into prominence?
They never go beyond what an Elizabethan audience would have found acceptable in a woman: Any women that go Male domination in shakespeare prevailing conventions are redeemed by the end of the play. This quote highlights my point earlier that genre dictates the limitations of the play and the boundaries able to be crossed. Tragedy is of such serious nature that there are stricter guidelines. In Presentism, Sexuality and Gender in Shakespeare Evelyn Gajowski discusses why comedy can stretch those boundaries and blur the lines even more when discussing sexuality and gender.
Comedy provides a safety net that allows the unfamiliar or the unacceptable to be presented in public, because the stakes are perceived to be lower than in tragedy. Consequently the outrageousness or unthinkability some images-their potential for queasiness-can be excused as inconsequential playfulness.
This allows greater free play than in work that is taken more seriously and is more closely scrutinized as a result. Not only does Shakespeare challenge the social norms of gender roles in his comedies but he also challenges the ambiguity of
Male domination in shakespeare. Phoebe falls in love with Ganymede unaware that it is actually Rosalind.
This creates an interesting piece of metatheatre because the character of Rosalind would have been played by a young, feminine looking boy. Therefore not only is there a homoerotic relationship in the play between the female characters Phoebe and Rosalind but also on the stage by the two male actors portraying the women.
Shakespeare also uses sexuality and gender roles as a tool of manipulation. The manipulator uses sexuality and gender to twist the action of Male domination in shakespeare play in their favour. Sexuality as it is known in the context of society is broken, it no longer becomes about love or lust but for the gain of power.
After killing her Male domination in shakespeare and her father in law in battle Richard successfully seduces Anne, explaining that he only killed them out of love for her. Despite her hurling insults at him he persists. Was ever woman in this humor won? In this case, although sexuality has lost its proper use, gender roles have not. Although Richard is described as feminine looking, he exhibits the traits of a masculine being, one who gains power and is not ruled by his emotions where as Anne exhibits the traits of an effeminate being, one who seems to be strong willed but is weak and ruled by her emotions.
She knows that Richard is evil yet she allows his words to captivate her and gives into his will. She allows herself to be seduced by his sexuality. In Shakespeare and Gender Phyllis Rackin says:. Characterized throughout in terms of warlike masculinity and aggressive misogyny, Richard also commands the female power of erotic seduction. His monopoly of both male and female sexual energy is vividly portrayed in his seduction of Anne. Anne is angry at Richard for his heinous crimes yet she cannot make a sound decision because of her emotions that Richard is bringing out of her.
Although the gender roles have not changed per se the women of the play have been displaced. The reconstruction of history as tragedy in Richard III is accompanied by a remarkable transformation in the representation and placement of female characters.
Paradoxically, even as the female characters are ennobled, they are also disempowered. On the one hand women are much more sympathetically portrayed.
On the other, they lose their vividly individualized voices and the dangerous theatrical power that made characters like Joan and Margaret in the Henry VI plays potent threats to the masculine project of English history-making. Shakespeare not only deconstructs sexuality and gender from their norms in society to use them as tools for power but he also uses them as a form of English propaganda.
This would have pleased any of the political figures in Elizabethan England who would have been watching these plays. Shakespeare saw the social norms of sexuality and gender in Elizabethan society and sought to deconstruct them to bring a new viewpoint on them. He was the Elizabethan version of a modern day feminist. He showed in his work that sexuality and gender are ambiguous tools that could be used for more than what society said they could be. He showed that men could be and women could be men, that gender roles can be reversed and that no social norm was concrete.
Depending on his genre, his method of deconstructing sexuality and gender changed and he was aware that he could go further within his comedies because of their light-hearted plot lines. He used sexuality and gender not only ambiguously but also as a powerful tool that could be wielded by one to gain power over another for political gain. Lastly, he used sexuality and gender as English propaganda to show that England was stronger than France and that they would always be victorious.
Barker, Deborah, and Ivo Kamps. Presentism, gender, and sexuality in Shakespeare. Orgel, Stephen, and Sean Keilen. Shakespeare, William, and Peter Holland. Oxford University Press, As you like it. Yale University Press, You are commenting using your WordPress. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new via email.
Gajowski Male domination in shakespeare, [Keeble]Shakespeare sought to defeat these norms, he sought to show that sexuality and gender are ambiguous and mutable. Pitt, 75 This quote highlights my point earlier that genre dictates the limitations of the play and the boundaries able to be crossed. In Shakespeare and Gender Phyllis Rackin says: Rackin Shakespeare not only deconstructs sexuality and gender from their norms in society to use them as tools for power but he also uses them as a form of English propaganda.
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What comes first: family or S.O.?4 Dec Saying all-female productions are inauthentic misses the point – Shakespeare's plays have always been gender-bending. Dorey 1 William Dorey English 3K Shakespeare Dr. Grisé 1 April Misogyny, Thy Name is Hamlet!: Politics of Misogyny, Male Domination, and Female Resistance in William Shakespeare‟s Hamlet William Shakespeare‟s play Hamlet is a complex tale of murder, revenge, and madness that uses multiple motifs to..
Theatre Theorist and Staff Writer for www.thetheatrereader.com
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Bite the role of women in the Renaissance is mentioned highly, men are neglected in systematic views of the culture.
However, the male gender part in the Restoration is a acutely interesting subject. Not only are close by male gender roles for men, on the contrary the cross-over of male gender roles for masculine women also plays a big part participate in Renaissance culture then literature. However, the social norms as men have changed little from the Renaissance to offer day. This changing social norm leads men to seem to be for fundamentals as regard the masculine pigeonhole and try headed for get to the heart of can you repeat that?
it means headed for be male. The role of men in the Resumption was being overshadowed by women furthermore the stereotypes of men and women were becoming further and more defined. William Gouge wrote that a helpmeet and government officers were both towards uphold authority: The husband of the family was permanently designated the right of the solid ground and property with the aim of they family lived on Renaissance Domestic.
However, in an agricultural economy, place was seen what an investment furthermore was outside of the home on the contrary influence the family dynamics within the house Resistance in the direction of Gender Construction. Within this type of Renaissance society, men would call never-endingly a woman honestly for their progenitive pleasure. The bankrupt down of societal types allows readers of Shakespeare towards categorize the manful characters into these five types of male roles.
Men, being while unextravagant were beginning near be described among womanly terms as a consequence softer language whereas women were stepping up and entrancing on more spear roles and manly attitudes towards the culture and civilization.
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Male Domination. The Taming of the Shrew, by William Shakespeare, deals with marriage. The ideas explored are primarily shown through the characters of Petruchio and Katharina. We are introduced to the trials and tribulation's which present themselves in their everyday lives. The characters bring up a traditional. 21 Jul Although there are women who face tragic fates in Shakespeare's tragedies they are mainly dominated by men. Examples such as Titus Andronicus, Hamlet and Othello where the male characters' fates predominately rule the plot of the plays. There is also a “detachment from sexual violence” (Gajowski 71). However, from the non-traditional households of rouges, vagabonds, and beggars, men dominated “the maintenance of the domestic economy” (Non- Traditional Households). In this type of Renaissance society, men would call on a woman simply for their sexual pleasure. Jonathan Shandell, in his essay “ Shakespeare's.