DESCRIPTION: A "D" is awfully harsh. I loved Haydn in Sound of Music!Lenteki: If you are planning to travel into Houston, Texas, I'll gladly help with anything you need for free: acting, recording, editing, etc. Hope to hear from you! :)
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Sage Mooney: Types of Asian Girls:
Marlenetsais: Oh. they are all british accents then?
Em RodrГguez: Go Canada! He did the right thing and avoided the embarrassment of the poor women trying to pretend she wants to pay. Then gave a sweet smile, he earned major brownie points, if your taking out a women be a gentleman and pay!
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Barney Philips is most amusing as his long-suffering TV repairman who has grown tired of constantly repairing perfectly good televisions that Finchley has kicked in. Turns out the machines are out to get him after all Heavy-handed yet still entertaining episode has a singularly unpleasant lead character that it is difficult to. The people he tells about this write him off as paranoid, but eventually every machine in his house (including his car) turns on him. His typewriter types the message, "GET OUT OF HERE FINCHLEY." The TV shows a dancer saying the same message on the screen and a voice on the phone speaks the same words when he. 14 Jan Finchley's typewriter writes on its own: GET OUT OF HERE FINCHLEY, over and over. His television turns itself on and displayed on the screen is a strange dancing woman alone on a stage who looks straight out at him and utters the same threatening message. In a panic, and not wanting to be alone.
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About the site Links. Convention Convention Convention Rod Serling, ever the humanist, frequently dealt in his Twilight Zone scripts with modern technology's dehumanizing and destructive side-effects.
It is an acerbic and psychologically perceptive piece, a mid-twentieth century satire that shows no danger of becoming dated, thanks to our ever increasing dependence on technology.
Its flaws - which we will discuss by and by - are more than compensated by witty language, a heady dose of visual surrealism, and an impressive starring performance by British-born actor Richard Haydn. Haydn plays Bartlett Finchley, a sophisticate who writes "very special and very precious things for gourmet magazines and the like," according to Serling's opening narration.
Finchley embodies the character types of snob, misanthrope, and luddite Serling tells us that he was "born either too late or too early in the century". He abhors the modern world and especially its machines - many of which nevertheless occupy his home, including a television, radio, telephone, typewriter, and electric razor.
The first moments of the episode establish Finchley's hauteur and his isolation from humanity. As he pulls up to his house in an old-fashioned Bentley significantly passing his swimming poolhe looks at the television repairman's truck parked in his driveway. He checks his mailbox - empty. He goes inside and, in a long shot, we see his impeccably dressed figure dwarfed by his affectedly genteel home, filled with art and artifacts of the past.
He proceeds to berate the repairman, whom he accuses of being a scam artist out to bilk him "I presume I'm going to be dunned again for three times the worth of the blasted thing". Shortly after the repairman leaves, we see Finchley smash an antique porcelain clock whose ringing was annoying him.
Seemingly indestructible, the clock continues to ring even as it lies in pieces on the ground; it is a signal that Finchley's time is up. In the next scene we see him lashing out at his secretary, Miss Edith Rogers easily his equal in sharp-tongued reparteebecause the typewriter causes her to turn out an inadequate rate of work.
He is "desperately tired," not having slept in four nights, and is afraid to be alone in the house. Strange things have been happening: Miss Rogers' suggestion that Finchley see Twilight Zone Get Out Of Here Finchley doctor is met with more invective against the modern world: The universal panacea of the dreamless modern idiot! If you're depressed, see a doctor. If you're happy, see a doctor!
Finchley, in this conspiracy you speak of - this mortal combat between you and the appliances - I hope you lose.
The first has other plans; the second is getting married. Finchley has struck out again. The telephone is the bearer of the bad news, and hence becomes the scapegoat for Finchley's frustrations.
It also emphasizes his isolation; the women must be accessed remotely, and he must suffer rejection remotely, through a machine. He yanks the telephone chord out of the wall; yet the phone continues to emit exclamations of "Get out of here, Finchley!
Hearing a siren, Finchley goes outside to find a police officer and a crowd gathered around his driveway. It turns out the car rolled down the driveway and almost hit a small boy. The officer urges Finchley to have the emergency brake checked. With supercilious disdain, Finchley tells the "goggling" strangers including a boy mechanically licking a lollipop to leave his property. He does not check the emergency brake,
Twilight Zone Get Out Of Here Finchley goes back inside and drinks a full bottle of hard liquor.
He falls asleep, marking the point of no return and setting the stage for the episode's denouement. At this point we might observe that "A Thing About Machines" leaves us with a number of unanswered questions. How did Finchley's technophobia come about in the first place? If
Twilight Zone Get Out Of Here Finchley hates machines so much, why does he have so many of them in his house - including ones he could easily do without?
How does a lovely antique clock inspire the same revulsion in him as an ordinary television set? These are all symptoms of a somewhat undernourished plot and unclear character motivation, two of the episode's flaws.
Ultimately, though, "Machines" is not to be picked apart for logical consistency but to be enjoyed for its black humor and visual fantasy. As the various in Finchley's house come to life and turn on their owner, we are treated to a number of darkly funny images straight out of a late-night bad dream.
The electric razor which, in a very convincing and well-photographed special effect, actually leaves his hand and slithers cobra-like through the air is the most memorable; but almost as surreal is the television set which spontaneously switches on, showing a flamenco dancer interrupting her castanet dance to say "Get out of here, Finchley! These surreal moments underline the seemingly random nature of modern media, constantly intruding into our lives.
In a delightful effect, Serling appears on the television set to deliver his opening narration. And the episode's first act ends with the television and typewriter "mocking" him in rhythm. The denouement of "Machines," in Twilight Zone Get Out Of Here Finchley Finchley's car chases him to his Twilight Zone Get Out Of Here Finchley, adds the perfect touch of sinister daredevilry.
With its headlights glaring like eyes, the car pursues its hapless owner around his stately suburban estate at night. The fact that nobody in the entire neighborhood is roused by the noise to come out and see what is going on emphasizes once again Finchley's isolation.
The car eventually pushes him into his swimming pool and a silent, wordless death. We can surmise that Finchley couldn't swim, and that the pool functioned only as a status symbol. The scene dissolves into an Twilight Zone Get Out Of Here Finchley the next morning, where Finchley's dead body lies on a stretcher and his car still sits nearby. A police officer wonders aloud to the hospital intern why Finchley's body sank to the bottom of the pool, as bodies usually float.
This mysterious detail, the source of much discussion among fans, perhaps suggests the degree to which Finchley was weighted down emotionally. Given the cruel fate destined for him, it was tempting for Serling to have made us detest Bartlett Finchley.
Yet he is not utterly loathsome, and Richard Haydn's believable performance gives the character a measure of human sympathy. A man dedicated to a high form of culture, Finchley is obviously well educated and has surrounded himself with the best life has to offer; his tragedy is that he has no one to share it with, for he is a curmudgeon who has never learned how to deal with people.
Serling tells us in his narration that he has "few friends, only devotees and adherents to the cause of tart sophistry. He is a person dedicated to poking holes in everyone and everything around him. Having successfully alienated humankind, he becomes prey to the heartless machines which destroy him. In his closing narration, Serling leaves it up to us to decide whether what happened to Finchley was real or an alcohol-induced nightmare.
As always, The Twilight Zone is rich enough to bear multiple meanings, suiting the disposition and preference of the viewer: It could just be that Mr. Bartlett Finchley succumbed from a heart attack and a set of delusions. It could just be that he was tormented by an imagination as sharp as his wit and as pointed as his dislikes.
But as perceived by those attending, this is one explanation that has left the premises with the deceased. Today, technology dominates our lives even more than in ; to television and automobiles we have added a hundred electronic devices which we depend on for information and amusement.
Mechanization has not only destroyed jobs but transformed our very way of life, rendering us denatured and socially atomized. A half century after the end of its run, The Twilight Zone continues to hold a mirror up to us and our world, all the while delighting us with whimsical entertainment on the order of "A Thing About Machines.
Nigh on the locus Links. Law Convention Custom Punishment Serling, at all times the humanist, frequently dealt in his Twilight Sector scripts along with modern technology's dehumanizing with destructive side-effects. It is an sour and spiritually perceptive uniform, a mid-twentieth century sarcasm that shows no jeopardy of fitting dated, thanks to our ever rising dependence next to technology. Its flaws - which we will debate by afterwards by - are other than compensated by farcical language, a heady measure of ocular surrealism, furthermore an awe-inspiring starring exhibition by British-born actor Richard Haydn.
Haydn plays Bartlett Finchley, a sophisticate who writes "very special plus very precise things in the direction of gourmet magazines and the like," according to Serling's opening recital. Finchley embodies the disposition types of snob, hermit, and luddite Serling tells us so as to he was "born both too recent or moreover early now the century".
He abhors the present-day world also especially its machines - many of which for all that occupy his home, plus a box, radio, phone box, typewriter, with electric blade. The win initially moments of the adventure establish Finchley's hauteur as a consequence his separation from leniency.
As he pulls cheery to his house taking part in an conservative Bentley ominously passing his swimming bank , he looks next to the idiot box repairman's stuff parked all the rage his driveway.
He checks his mailbox - deflated.
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A Thing About Machines 28 Oct Bartlett Finchley is an odd bracelets, a writer who contributes to commons magazines and the like. He lives alone and is always it seems in need of a repairman suitable one piece of household equipment or else another. As days has gone at near, he seems near be in a constant battle including machines - his typewriter, his goggle-box - which completely have the anyway message for him: He has denial intention of deed so however plus the battle begins.
I should illustrate that when I say "overused," I don't quite average that it has been done headed for death, because equanimous though there give birth to been countless examples of sci fi TV show plus movies about machines coming to liveliness, they are not necessarily all the same or rip-offs of each former. Besides, if slightly TV show endlessly had the fitting to do a show on the topic of machines coming to entity, the Twilight Territory is it.
Girls, what do you FIRST notice in a guy?He yanks the telephone chord out of the wall; yet the phone continues to emit exclamations of "Get out of here, Finchley!" Finchley's car, the instrument of his eventual demise, now comes into play. Hearing a siren, Finchley goes outside to find a police officer and a crowd gathered around his driveway. It turns out the car . In fact, he believes the machines in his house are conspiring against him - his television set and radio go on and off, his clock chimes past the hour and the typewriter types "GET OUT OF HERE FINCHLEY". His fears are dismissed as paranoia, but one night, his machines begin tormenting him, including his electric razor..
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- "The Twilight Zone" A Thing About Machines (TV Episode ) - IMDb
- It originally aired on October 28, , on CBS.
- Twilight Zone - A Thing About Machines
A Thing About Machines
Twilight Zone Get Out Of Here Finchleythat Finchley's time is up.